COUNTRY PLEASURES

 
What better than a few days in the Italian countryside? Especially if they involve a castle, a swimming pool and time to visit small hill towns nearby in the warm sunshine.

 

A writer friend in Italy recommended the Castello di Santa Maria, located near the tiny village of San Michele in Teverina, at the north end of Lazio, the region surrounding Rome. The castle is part of the Charme & Relax network of (mostly) country homes and castles.

 

We drove north from Rome, through Viterbo and on to a rural secondary road towards Orvieto, turning off at the sign to the village and our destination. Then up a cypress-lined drive to reach the castle – an 15th Century monastery founded by the Camaldolesi monks, and enlarged by the friars Servants of Mary in the 17thCentury. Now restored and converted to a hotel with several rooms in the main building, and cottages set in an olive grove or near the swimming pool. A slice of heaven, Italian style.

 

Our cottage had two bedrooms and baths separated by a living room, perfect for two couples, giving us both privacy and community. We overlooked the pool, olive trees and in the distance the isolated hill town of Cività di Bagnoregio perched on a outcrop in the middle of barren land.

 

We used our hotel as a springboard to visit surrounding towns. The first goal was to drive to Bagnoregio where the steps and bridge to the town begin. Cività is a medieval town precariously clinging to eroding rock, population 12 plus cats in winter but more in summer when tourists make the trek up and down steps and over a bridge to look around. The town was founded by the Etruscans like everyplace else in the area. Its claim to fame beside the spectacular location is that it was the boyhood home to Saint Bonaventure. Unfortunately, his home has long since fallen off the cliff into the abyss. One wonders when the rest will follow.

 













Civitella d’Agliano, where there is little to see, spills down a hill with narrow twisting streets and ancient dwellings. The street is so narrow it took fifteen minutes of to-and-fro to get out of a dead end. When the car was finally positioned to leave the town we were pointed steeply downhill on a road taking us to a fallow field with no way to make a turn back up to the main road. Down we went hoping for some way to return. At the bottom there was a treat: a medieval washhouse, the clear waters pouring out of a spout to bathe the ferns. No washer-women in sight – they were all standing on their tiny balconies or front steps above us watching with amusement as we tried to maneuver.

 

Orvieto, an actual city with medieval towers, is set high on a rock outcropping. The black and white striped Duomo with its marvelous mosaic and carved marble facade is the main attraction.




The treasure filled interior hosts the Chapel of San Brizio decorated by Renaissance masters. The frescoes by Luca Signorelli depicting the Preaching of the Antichrist, End of the World, Resurrection of the Flesh, and the Damned Taken to Hell are enough to scare viewers out of their wits (and to stop sinning). Most alarming was the Devil shooting death rays on an ill-fated town. The rays looked too much like missiles so common in our own age.

 
 
The Resurrection scene is almost three dimensional with bodies crawling out of holes. Signorelli seemed to have especially enjoyed painting the nicely-rounded posteriors of naked men in this remarkable scene where everyone, but a few skeletons, flaunts a perfectly toned body as if their time in Purgatory was merely a spa cure.

 

 






The Damned Taken to Hell has the famous winged devil carrying a naked woman to her fate. All that death and misery was soon too much to contemplate on a lovely day – it was lunch time. Sitting with other diners on a restaurant terrace we soon forgot about Signorelli’s world and our own in favor of concentrating on the local Orvieto white wine and pasta at Vinosus Wine Bar near the Duomo. 

But we had one more sight involving death to see before we left – the small Etruscan cemetery, located beneath the towering hill. Granted, there are many other Etruscan necropoli, but this is the only one I know of where the families of the deceased have their names chiseled into the stone. Could they ever have imagined tourists would be tramping around trying to decipher names and looking into the dank and empty mausoleums long emptied of their contents by looters or archeologists?

 

When it was time for us to end the day’s exploration we returned the “long” way on quiet winding roads snaking through the countryside where vineyards soaked up the lowering sun. Below the hills, the valley of the Tiber with train tracks and the autostrada reminded us of the busy life of modern day Italy awaiting us when we returned to Rome. 

 

 

When I arose at dawn the following morning a full moon was setting over the olive groves. Ah – Italy!
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The Past Remains

“Cigni, cigni…cigni,  “Swans, swans, swans,” the little boy cried out as he carried his pail holding yesterday’s bread to feed them and their cygnets gliding around the mill pond’s still waters leaving small wakes trailing behind. We were staying at a hotel converted from a 15th century water mill built on a little island and over a small river, the Clitunno.  The hotel was the scene of a wedding reception, with guests dining and dancing in the garden by candlelight until daybreak finally sent them home. We looked down at the scene from our window above the garden and pond while hoping the newlyweds’ life would continue to be as idyllic as it was that evening.

Floodlit and reflected in the mill pond, a small temple rests among cypress trees on a hill above a short stretch of ancient and worn stones of the Via Flaminia. This golden-hued stone building is the lovely Tempietto di Clitunno. It would look at home anywhere in the ancient Roman world with its porch  fronted by four columns, two carved in a spiral design and two with  fish scales. A pilaster on each end completes the entrance. They all have the beautiful acanthus leaf Corinthian capitals supporting the classic entablature and pediment. But instead of sculpted Roman gods, the pediment has a cross, grapevines and flowers with a Latin inscription, “Holy God of the Angels who Made the Resurrection” on the architrave. Faint shadows of frescoes depicting Christ and Saints Peter and Paul still decorate the interior. Like many ancient buildings the argument as to the temple’s origin goes on. One school decided that it is a true Roman temple turned into a church in the third or fourth century, another dated it to the eighth century positing that it was made from remnants of the classical temples surrounding the nearby lake, the Fonte di Clitunno.

Whatever its origins, we were as enchanted with the temple as so many others have been. Andrea Palladio, the great Renaissance architect, as well as the French classical painters Poussin and Lorrain were also enamored and Lord Byron waxed lyrical when he visited in 1816.  In Childe Harold’s Pilgrimage he tells us: “And on thy happy shore a Temple still / Of small and delicate proportion, keeps…”

The setting, so redolent of the past, always made me mindful of the continuity that so characterizes Italy and how I was part of that endless procession, pagan and Christian, rich and poor, native and foreign, who all shared in its eternal beauty. The temple remains my most beloved Italian place – a site where I could become one with those who came before.

The mill pond is fed by the river Clitunno coming from the nearby Fonte, a lake famous in antiquity. In Roman times the sacred lake’s clear waters were used to bathe white cattle before they were sacrificed to the gods. Caligula consulted a nearby oracle. I wondered if the mad emperor posed a question before he made his horse a senator – and what advice the seer might have offered. Pliny the Younger, in his letters written about AD 108, described hills covered with cypress and the lake itself surrounded by ash and poplar trees with cold water so clear that one could count coins tossed in for luck. Earthquakes changed the landscape in AD 446 and the sacred site was abandoned to time.

While the Tempietto is not much visited, the lake is now surrounded by a dusty parking lot instead of temples. Tour buses by the dozens disgorge their passengers who sit under the surrounding poplar trees enjoying their picnics and buying souvenirs, the past out of mind.

Excerpt from Coins in the Fountain

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